Nikon D70 News
The D70 is compatible with about ninety% of the F mount Nikkor lenses made. Because its imager is bodily smaller than a 35mm movie frame it’s essential to use an image angle conversion issue of 1.5x to find out correct focal length protection when using 35mm format lenses.
Upper left is the main focus-help illuminator lamp, it’s also used for red-eye discount flash mode. On the left side of the lens mount is the Depth of Discipline (DOF) preview button, on the proper aspect is the lens release lock button and the two-manner change used to select the desired focusing mode, auto or manual.
Here’s a closeup look at the Focus Mode selector swap (AF or Manual). The MA/M switch on the lens selects either full handbook or auto focus with manual override. The D70 employs the Nikon High-speed, excessive precision 5-space AF system with predictive focus tracking and Lock-on™ to ensure quick response and sharp focus, whereas an AF-assist illuminator helps ensure top performance in darkish situations.
The AF-S DX Nikkor 18-70mm f/3.5-4.5G IF-ED lens is appropriate with all Nikon D-collection digital SLRs and will probably be included as the standard zoom lens in the Nikon D70 digital SLR camera outfit. With an equal protection of a 27-105mm zoom in 35mm photography, it offers Nikon’s highly regarded Silent Wave motor (AF-S) for tremendous quick and quiet autofocus, Further-Low Dispersion glass (ED) for minimized chromatic aberrations, and Inner Focusing (IF) for handy and balanced handling. It additionally incorporates a distance data information window, a reliable metallic lens mount for years of durability, and a M/A mode for seamless switching between autofocus and guide modes.
Designed completely to be used with Nikon digital SLR cameras, DX Nikkor lenses deliver a versatile range of angle-of-view, greater efficiency, and excellent middle-to-edge-to-corner picture quality, while realizing smaller and lighter designs. The current lineup of DX Nikkor lenses contains:
AF-S DX Zoom-Nikkor 18-70mm f/3.5-4.5 IF-ED
AF-S DX Zoom-Nikkor 17-55mm f/2.8G IF-ED
AF-S DX Zoom-Nikkor 12-24mm f/4G IF-ED
AF DX Fisheye-Nikkor 10.5mm f/2.8G ED (180º angle-of-view)
When used with a Nikon digital SLR digicam and NikonCapture software program, images shot with the AF DX Fisheye-Nikkor 10.5mm lens could be remodeled into extremely-extensive angle rectilinear pictures with a choice of a hundred° and one hundred thirty° horizontal angles of view.
Sooner or later you will want to scrub your D70’s imager or lenses. That is the American Recorder C02 Duster and Digital Sensor Cleansing Kit. It includes the helpful C02 duster, 3 C02 cylinders and 3 Eclipse Sensor Swabs with cleaning fluid and a travel case. Good for cleaning the CCD imager and conserving your lenses grime-free.
The D70’s constructed-in speedlight employs Nikon’s i-TTL flash management technology. The speedlight mechanically pops up and fires when natural lighting is insufficient or so as to add balanced Fill-Flash when there is strong backlighting. i-TTL expertise improves the accuracy of fill-flash publicity and white stability in an image, by seamlessly integrating coloration info from the speedlight’s monitor pre-flash with data from the D70’s 1,005-pixel RGB sensor.
You can shoot at synchronized speeds as much as 1/500 second for nice fill results underneath brilliant mild conditions. FV Lock maintains the measured flash worth whereas recomposing the shot so you still obtain the suitable flash output for the subject. Guide Mode with Energy Ratio from full output to 1/64 energy in ½ step increments puts you in command of flash output to match your wants, and flash publicity compensation permits you to increase or scale back flash output for even finer control.
The constructed-in speedlight can be used in Commander Mode to remotely management one group of a number of wi-fi SB-600 and/or SB-800 Speedlights. You can attach an SB-800 because the Master Speedlight and management up to three distant teams of wireless speedlights, with each group consisting of any number of Nikon SB-800 or SB-600 Speedlight units.
The D70 controls the SB-600 or SB-800’s motorized zoom head and makes use of its more powerful AF-assist beam. The output of the flash is managed precisely because of the new i-TTL flash publicity management system. And nothing beats the pure look of bounce flash.
The D70 does not have an integral PC sync port so it’s essential use the optional Nikon AS-15 Sync Terminal Adapter to connect to external studio flash units. It slides on the flash sizzling shoe and provides you a typical PC sync connector. (Word that the AS-15 does not comprise an isolation circuit so watch out of strobes that use excessive set off voltages.)
The eyelevel penta-mirror viewfinder reveals approximately 95% of the captured frame. It has dioptric adjustment (-1.6 to +0.5 m-1) and a cushty 18mm eye aid with a fairly vast viewing angle.
To accommodate particular person differences in vision, viewfinder lenses are available with diopters of -5, -4, -three, -2, zero, +0.5, +1, +2, and +three m-1. The optional DG-2 magnifies the scene displayed in the viewfinder for close-up images, copying, telephoto lenses, and other duties that decision for added precision. Requires eyepiece adapter (available separately). The optionally available DR-6 attaches at a right angle to the viewfinder eyepiece, allowing the image within the viewfinder to be viewed from above when the camera is within the horizontal shooting position.
At Gooddigitalcameras.net you’ll find products, information, and resources regarding nikon digital slr d70, nikon d70 photography, and nikon d70 instruction.
Just this week, we announced that we were starting a video channel here on DogTipper. We’ve been using a Nikon Coolpix (a point and shoot camera) to shoot video but, to be honest, we’re not that happy with the video quality and think maybe we should be shooting a higher resolution (maybe HD?)
Our videos are uploaded onto YouTube, though, which compresses the video…so we wonder if the quality would be better if we shot a larger format?
Here are three cameras we’re looking at right now:
- Kodak Zi8 Pocket Video Camera Camcorder (we heard a lot about this camcorder at BlogPaws and love its price)
- Flip Mino HD (while we were at BlogPaws, I was interviewed by the Furminator representative and she was using a Flip which looked like a neat device)
- Nikon 5000 DSLR (we shoot stills using the Nikon D70 and D40 and love them but have never shot video on a DSLR. Downside: this is the priciest of the three options.)
Does anyone have any opinions on these cameras? Other camera? I’d love to hear them, good or bad! Thanks, Paris
